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Gerald Struzik

Fictional. Generated by AI — not a real person, and no likeness of one is intended.

52, groundskeeper in Denver · rolled by @colin.hasbrook · card — no film

History

who has worn him
woke up as Gerald Struzik on
Still of this vessel
card uniqueness grade
D
6 points

Rarest thing about him: Denveruncommon, 1 in 44

Season 0
▶ Replay the wheel

seed 1596971383 · engine v10

Character card

lineage 2NZHHJ

Age
52
Background
Whitecommon · 1 in 2
Body type
Averagecommon · 1 in 4
Height
5'8"common · 1 in 9
Star sign
Sagittariuscommon · 1 in 12
Born on
December 5thcommon · 1 in 30
Hair
Gray / silvercommon · 1 in 2
Hair dye
No dyecommon · 1 in 1
How he wears it
Side partcommon · 1 in 12
Eyes
Browncommon · 1 in 3
Orientation
Straightcommon · 1 in 1
Occupation
Groundskeepercommon · 1 in 81
What he's worth
A little put away — $25k to $75kcommon · 1 in 5
Where he lives
Denveruncommon · 1 in 44
One thing you'd notice
A beauty markuncommon · 1 in 11
Piercings
Nonecommon · 1 in 1
Tattoos
Nonecommon · 1 in 1
Religious?
Yescommon · 1 in 2
Which faith
Mainline Protestantuncommon · 1 in 7
How he drinks
Never drinksuncommon · 1 in 10
Nicotine
No nicotine, never really didcommon · 1 in 2
His tell
Still handscommon · 1 in 3
What he carries
Heart diseaseuncommon · 1 in 32
Relationship
Marriedcommon · 1 in 2
An ex who still matters
An ex from years agocommon · 1 in 3
Children
Onecommon · 1 in 4
Siblings
Three or morecommon · 1 in 4
Who he is
A stranger
What he was doing
Mowing the lawnuncommon · 1 in 37

His body-swap story

@colin.hasbrook, wearing Dennis Yamashiro, rolled the wheel on and woke up as Gerald Struzik, spent 1 minute in him, then spun the wheel and woke up as Liam Kanahele

The ranger station smells like pine cleaner and burnt coffee, and Dennis Yamashiro's dad-bod shoulders ache from hauling a downed branch off the Beacon Trail. It is quitting time in Ohio, the light going long and orange through the office blinds, and you have been him less than a minute when you already know you are done. Not with the job — the job was fine, the job was quiet, the trail log open on the desk half-filled in his neat cramped hand — but with him. Forty-three and careful and the once-broken nose that still clicks faintly when he breathes through it in the cold. You spent your first thirty seconds inside him noticing that click. That is the whole problem with Dennis Yamashiro: you noticed him. You want, instead, the several minutes before you notice anything at all — the pure blank hum of arriving somewhere new. You open the laptop on his desk, the one he uses to log maintenance requests, and you go to the page with the wheel on it, and you pay, and you spin, already leaving him standing behind you like a coat on a hook.

The mower note drops — a cough, a catch — and comes back up clean, and you are the hands that hold it there. Grass-shins, sun on your neck, one ear loud with engine and one ear muffled where the earmuff has slipped half off. You do not stumble. The body doesn't let you: it has done this ten thousand times, and it finishes the row before it lets you notice you are new to it, weight rocking heel to toe, a rhythm older than you are. The loose earmuff settles back down over the ear on its own, some small ordinary correction, and the next pass runs dead straight beside all the crooked ones that came before it.

The bar under your palms is warm rubber, worn smooth in two ovals, and that's the first door — his hands opening it without you asking. Gerald Struzik. Fifty-two years on this body and half of them on some field somewhere with a machine exactly like this one, though the field behind the fence at his back is not the one his wife thinks he's at. This is the church league diamond on 6th, and it's a Monday, and the high school isn't paying him till Thursday, but the base paths were an ugly mess after the youth tournament and something in him can't leave a field looking like that overnight. That's who he is, underneath: a man who fixes what's crooked before anyone asks him to.

The shirt comes next — chambray, soft from two hundred washes, and putting it on this morning arrives whole: standing in the bedroom with the mountains just catching light through the window, buttoning it one-handed while the coffee maker clicked and hissed down the hall, Carol already up, already at the table with the crossword she does every day and never finishes, the pen tap-tap-tapping while she waits for a seven-letter word for regret. He'd kissed the top of her head on the way to the garage. Thirty-one years married and that kiss is so worn into the morning it barely counts as tenderness anymore, it's just weather, it's just the shape the day takes before it starts.

The wedding band is next, plain gold gone a little thin at the back from decades of gripping tools, and it brings the wedding itself, briefly — a church basement reception, his mother crying for reasons that were not sad — and then, unbidden, a name that isn't Carol's. Denise. Younger than this. A porch somewhere in another state, a screen door, a girl who wanted to move to Chicago and a boy who wanted to stay near his father's diamond, and how that ended so gently there was nothing to forgive, which somehow made it worse to remember, all these years later, mowing a stranger's grass in the sun. He thinks of her maybe four times a year. This is apparently one of them.

The boots know the ground before he does — where the sprinkler head sits low near second base, where the infield lip catches a toe if you're not paying attention — and there's a whole muscle-memory of a boy, his son, eleven years old and shagging fly balls out past the mower's stripes while Gerald worked, the kid's glove too big for him, missing more than he caught and laughing every time. Grown now. Doesn't call as much. Fine boy. Good man. Gerald's chest does something complicated when he thinks about him, something that isn't only pride, and there's a flicker too, wordless, of the cardiologist's office, a printout, a phrase like manage it and we'll keep an eye — folded up small and put away the way Gerald puts most things away, without telling Carol how much it scared him.

None of this hurts to hold. It's a good, plain, put-together life: never drank, never smoked, tithes on Sundays at the Presbyterian church two blocks from the bungalow, a little money saved that he doesn't talk about, mowed grass that isn't even his, on a Monday afternoon, because a field looked wrong to him and he couldn't stand it. Fifty-two years old, average build going soft at the middle the way bodies do, a heart that ticks a half-beat wrong sometimes late at night and that he has decided, mostly, not to think about. Good hands. Steady hands. Hands that have done this exact motion, this exact bar, this exact grass, ten thousand times, so that even a stranger wearing them can walk a straight line without trying.

You stop the mower. You look down at your hands — his hands, spotted faintly, a mole high on the left cheek you can't see but can feel like a fact, the ring catching the light — and you turn them over once, the way you always do, checking they're real, checking they're yours now.

"Look at that," you say, out loud, to the empty stands, to nobody, meaning the straight row, meaning something else. "Fixed it."